The Summer Palace's origins trace back to the Jin Dynasty in 1153 when the emperor at the time relocated his capital to Beijing and built a palace in the Fragrant Hills, west of the Summer Palace. A century later, water was redirected from a spring to create a reservoir and ensure a consistent water supply to the palace. It would later become Kunming Lake, the central lake at the Summer Palace.
Fast-forward another two centuries to the Ming dynasty, when the Honghzhi Emperor built Yuanjin Temple in 1494 for his wet nurse in front of Jar Hill, later renamed Longevity Hill. The temple was eventually abandoned, and the surrounding hill grew lush with vegetation. Hongzhzi's successor cleared the hill, built himself a palace and established an imperial garden.
The Qing dynasty succeeded the Mings, and it was during this era that the Summer Palace really took shape. The Qianlong Emperor built many imperial gardens, and water consumption grew substantially. He decided to expand Kunming Lake and use the excavated soil to enlarge Longevity Hill, on which he built the Summer Palace (c. 1749) as a gift for his mother's 60th birthday.
The design of the Summer Palace was influenced by many architectural features from around the country and also by Chinese mythology, such as the three islands in Kunming Lake symbolising the legendary East Sea mountains and the Phoenix Pier representing Lake Tai, a large freshwater lake in the Yangtze Delta. However, as the Qing Empire declined, the palace was neglected and fell into disrepair. In 1860, at the end of the Anglo-Sino War, the palace was looted and subsequently burned down. It was reconstructed by Empress Dowager Cixi between 1884-95 as her retirement palace. Damaged again in 1900 and repaired, the Summer Palace opened to the public in 1914.
The expansive grounds are adorned with pavilions, halls and manicured gardens. The Seventeen-Arch Bridge is one of 30 bridges in the palace and, as the name suggests, features 17 arches. At 492ft (150m), it is the longest bridge on the grounds, connecting the eastern shore with one of the islands. Its beautiful upward-curved line gives it a sense of grandeur and aesthetic quality.
Another magnificent feature is the Long Gallery, a 2,300ft (728m) covered corridor running east to west, linking several attractions at the foot of Longevity Hill. It provided the Qing Dowagers a place to promenade regardless of weather conditions, with pleasant views of Kunming Lake and the gardens. Four octagonal pavilions with double eaves, representing the four seasons, mark the ends of the gallery (two on each side). The most remarkable elements of the corridor are the 14,000 paintings adorned on every beam, cross-member and ceiling, featuring flora, fauna, buildings, and landscapes, along with folk tales, Chinese literature and legendary figures.
There are so many beautiful features of the Summer Palace that it would take another letter to list them all. Instead, I will walk up to the Tower of Buddhist Incense to see the 16ft (5m) tall and 5-ton gilded statue of the 1000-handed Kwan-yin Buddha from the Ming era and take in the panoramic views of the lake and beyond.
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